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- Muzyka Historia Teoria Edukacja, 2014, Numer 4
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Muzyka Historia Teoria Edukacja, 2014, Numer 4
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Lutosławscy w Drozdowie. Kulturotwórcza funkcja dworu ziemiańskiego pod zaborami
Piosenki dla dzieci Witolda Lutosławskiego - marginalizowany obszar twórczości
Spojrzenie klasyka XX wieku na barokową formę koncertu na podstawie „Koncertu na obój i harfę” Witolda Lutosławskiego
Forma dwuczęściowa w twórczości Witolda Lutosławskiego
Zagadnienia formalno-warsztatowe w kameralnych utworach klarnetowych Witolda Lutosławskiego
„Łańcuch II” Witolda Lutosławskiego. Instrumentacja – technika koncertująca – dramaturgia
Organizacja wysokości dźwięków w utworach Witolda Lutosławskiego. Problemy związane z analizą zjawiska
Cechy stylistyczne Claude’a Debussy’ego w twórczości Witolda Lutosławskiego
„II Symfonia” Witolda Lutosławskiego w oczach kompozytora
Człowiek po prostu przyzwoity - próba opisu postawy artysty
Recent Submissions
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(Wydawnictwo Uniwersytetu Kazimierza Wielkiego w Bydgoszczy, 2014)In the recent times we can see quite considerable interest in the culture of a manor house. This is the result of the longing for the past world. this world was presented idealistically in Polish literature, which is proved ...
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(Wydawnictwo Uniwersytetu Kazimierza Wielkiego w Bydgoszczy, 2014)Major works with the participation of the symphonic orchestra especially from the last period of the creative activity becomes the subject of different analyzes of artistic output of Witold Lutosławski. However, the ...
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(Wydawnictwo Uniwersytetu Kazimierza Wielkiego w Bydgoszczy, 2014)The object of research paper is an attempt to read the Classic looks of the 20th century - Witold Lutosławski on the Baroque form. The author indicates the characteristics of the term classicism in art, which becomes the ...
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(Wydawnictwo Uniwersytetu Kazimierza Wielkiego w Bydgoszczy, 2014)In the String quartet created in 1969, Lutosławski applied for the first time a form model which was new in his creativity. the novelty was to create a composition from two parts. The problem of the form was equally important ...
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(Wydawnictwo Uniwersytetu Kazimierza Wielkiego w Bydgoszczy, 2014)In my article I focused on formal and technical issues of Witold Lutosławski’s works. His pieces for clarinet constitute a satisfying for researchers fragment of composer’s early works. They allow to analyse Lutosławski’s ...
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(Wydawnictwo Uniwersytetu Kazimierza Wielkiego w Bydgoszczy, 2014)The article shows analysis of an important work by the composer, written in the last period of his artistic work. Chain II, with its subtitle Dialogue for violin and orchestra, was written in 1986, and it is Lutosławski’s ...
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(Wydawnictwo Uniwersytetu Kazimierza Wielkiego w Bydgoszczy, 2014)Lutosławski has said many times that he considers the organization of the sound pitch as the most important matter. He kept on working on creating his own means in this field, however, he avoided giving any details with ...
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(Wydawnictwo Uniwersytetu Kazimierza Wielkiego w Bydgoszczy, 2014)The author of this article makes a comparison of the musical styles of two composers: Witold Lutosławski and Claude Debussy. The basic concepts of Lutosławski’s music at many points touches the aesthetic views of Debussy. ...
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(Wydawnictwo Uniwersytetu Kazimierza Wielkiego w Bydgoszczy, 2014)There are many scholarly theses, essays, studies and books written about the composing creativity of Witold Lutosławski. However, it seems interesting to quote here the statement of Lutosławski himself about his own ...
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(Wydawnictwo Uniwersytetu Kazimierza Wielkiego w Bydgoszczy, 2014)From the early years of his activity, the figure of Witold Lutosławski was considered by the music environment as an informal leader of Polish musicians and as a moral authority. In the memories of the participants of music ...